[Cover graphic]

Compact Disc CDA67673

£13.99


This is the third volume in Hyperion’s set of the complete works for violin and orchestra by Martinuo, featuring the wonderful Bohuslav Matoušek with the Czech Philharmonic Orchestra under Christopher Hogwood. Many first recordings are included in the series, as well as works totally unperformed outside the Czech Republic. The two very different versions of Martinuo’s Suite concertante are fascinating rarities. The only well-known work on this disc is the Rhapsody-Concerto for viola and orchestra: a lyrical, virtuosic piece written for Jascha Viessi and one of the most performed viola concertos of the twentieth century.

The programme notes by Aleš BÚesina are meticulously researched and provide a comprehensive background to the intriguing genesis and performance history of these works.


Recorded in Dvorvák Hall, Rudolfinum, Prague, Czech Republic in May 2001 1–4, April 2004 9 bl and December 2005 5–8
Recording Engineer
TOMÁŠ ZIKMUND
Recording Producer
ZDENEK ZAHRADNÍK
Front Picture Research
RICHARD HOWARD
Booklet Editor
TIM PARRY
Executive Producer
SIMON PERRY
© Hyperion Records Ltd, London, MMVIII

Duration: 68'49
DDD
Front illustration: Undergrowth (1910) (detail) by Roger de la Fresnaye (1885–1925)

The Complete Music for Violin and Orchestra - 3

BOHUSLAV MATOUSEK violin
CZECH PHILHARMONIC ORCHESTRA
CHRISTOPHER HOGWOOD conductor


Contents:

    Suite concertante for violin and orchestra first version H276 [24'02]
  1. Prelude: Allegro moderato [3'28]
  2. Meditation: Largo [5'52]
  3. Intermezzo: Andantino poco moderato — Vivace [6'39]
  4. Finale: Allegro vivo [7'59]

    Suite concertante for violin and orchestra second version H276A [22'42]

  5. Toccata: Allegro poco moderato [4'12]
  6. Aria: Andantino [7'53]
  7. Scherzo: Allegretto scherzando [4'14]
  8. Rondo: Poco allegro [6'14]

    Rhapsody-Concerto for viola and orchestra H337 [21'53]

  9. Moderato [10'31]
  10. Molto adagio — Poco allegro — Andante molto tranquillo [11'22]
Sleeve Notes


'Martinu was prolific in every field, but perhaps no more so than in the concerto, where he explored a variety of forms and instrumental combinations … Bohuslav Matoushek plays all three works here with energy and an imaginative range of tonal colour, while the accompaniments from Christopher Hogwood and the Czech orchestra are equally resourceful' (Daily Telegraph)


See also:
Martinu: The Complete Music for Violin and Orchestra - 1
Martinu: The Complete Music for Violin and Orchestra - 2

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