[Cover graphic]

Compact Disc CDA67598

£13.99


We are delighted to present an eagerly awaited recital disc from Stephen Hough. This fascinating programme begins with some of Mozart’s most audacious and forward-looking piano works. Mozart’s Fantasia in C minor K475 is a wonderfully unfettered and uninhibited work, suffused with high drama and a sense of constantly shifting moods. The Piano Sonata in B flat major K333 is a similarly ground-breaking piece, developing in scale and drama from its lyrical, gentle opening.

The second part of the disc features Mozart as seen by others, from the homage of a near-contemporary right up to the modern day, with Hough’s own irresistibly quirky Mozart imaginings, and from elegant miniatures to Liszt/Busoni’s virtuosic Figaro Fantasy. This disc is full of surprises, and demonstrates the full range of Hough’s extraordinary artistry.


Recorded in St George’s, Brandon Hill, Bristol, on 5–7 November 2006
Recording Engineer
SIMON EADON
Recording Producer
ANDREW KEENER
Piano
STEINWAY & SONS
Booklet Editor
TIM PARRY
Executive Producer
SIMON PERRY
© Hyperion Records Ltd, London, MMVIII

Duration: 70'05
DDD
Front illustration: Garden of Eden (oil on linen) by Anthony Mastromatteo

Stephen Hough's Mozart Album

STEPHEN HOUGH piano


Contents:

    WOLFGANG AMADEUS MOZART (1756–1791)
  1. Fantasia in C minor K475 [11'32] Adagio — Allegro — Andantino — Più Allegro — Tempo I

    Sonata in B flat major K333 [20'00]

  2. Allegro [7'20]
  3. Andante cantabile [6'19]
  4. Allegretto grazioso [6'18]

  5. Fantasia in C minor K396/385f Adagio [9'24]
    completed by Maximilian Stadler (1748–1833)

    JOHANN BAPTIST CRAMER (1771–1858)

  6. Hommage à Mozart Étude Op 103 No 6 [2'05]

    IGNAZ FRIEDMAN (1882–1948)

  7. Menuetto in D major [5'11]
    from Mozart’s Divertimento for string quartet and two horns K334

    STEPHEN HOUGH (b1961)
    Three Mozart Transformations (after Poulenc) [5'58]

  8. Minuet K1 [2'34]
  9. Klavierstück K33 [1'21]
  10. Sehnsucht nach dem Frühlinge K596 [2'01]

    FRANZ LISZT (1811–1886) / FERRUCCIO BUSONI (1866–1924)

  11. Fantasia on two themes from Mozart’s ‘The Marriage of Figaro’ [15'25]
Sleeve Notes


SUNDAY TIMES CLASSICAL CD OF THE WEEK
BBC MUSIC MAGAZINE INSTRUMENTAL CHOICE


'Here's another winning, imaginatively conceived disc from Britain's finest pianist … It is unexpected and delightful programme-building. Prized for his pianism, Hough is also a superb Mozartian. He lends these Fantasias an almost Beethovenian weight and depth of expression … Hough's playing is dazzling throughout' (Sunday Times)

'There are all too few pianists with the equivalent of Hough's three Michelin stars … Opening with two of Mozart's solo masterpieces, the ear is welcomed into an intimate, pellucid sound world with a sophistcated grading of dynamics … [Liszt-Busoni Fantasy on Non piu andrai] provides a hair-raising bravura display that deserves to be heard more often. At least, when played like this' (Gramophone)

'In a typically well-made progamme, the compelling British pianist springboards of Mozart into a series of tributes. The virtuoisic challenges are handled with liquid clarity and intelligent expression. Mesmerising in the Mozart, the transition to a more modern take comes surprisingly fluently' (The Times)

'... A scintillating exploration of Mozartian style in tribute works by other composers. Easily the most attractive is by Stephen Hough himself, who takes three small pieces and reinvents them in the style of Poulenc. The result is a seductive, spicy and totally original addition to the genre, and a nice counterweight to the Liszt-Busoni Figaro fantasia, which the prodigiously talented Hough plays with his trademark intensity' (The Observer)

' A bold and dramatic account of Mozart's K475 C minor Fantasia opens this memorable and imaginatively devised recital. While emphasising the prophetically romantic nature of the music, Stephen Hough takes great care not to overplay its more forceful passages … The final party piece, the Liszt/Busoni Fantasia on themes from The Marriage of Figaro, is a sure-fire crowd-pleaser given an exhilharating performance guaranteed to bring the house down (BBC Music Magazine)

'Hyperion's imaginative new collection shows this protean artist to be equally at home in the Classical repertoire. Not surprisingly, he offers romantic and highly pianistic Mozart … The result is a trio of performances of splendid variety … The recital ends rousingly with Liszt's Figaro Fantasia. Compared to the other post-Mozartian rarities, of course, this is standard fare - but it sounds freshly minted in this improvisatory reading … notable for his revelatory inner-line clarity even in the most congested textures and for his ability to reveal the underlying gestures in passages, that, even in Gilels' hands, emerge as a mere blur of notes. Excellent Hyperion sound and useful notes by Harriet Smith only add to the virtues of this first-rate release' (International Record Review)

'Hough's Mozart playing is so fresh, so sensitive to the harmonic twists and the way the prase can simultaneously suggest different feelings … This 2006 Keener and Eadon production from St George's, Bristol, is impeccably presented, with a congenial note by Harriet Smith' (International Piano magazine)

'In this deft tribute to Mozart's genius, splendid pianist Stephen Hough leads with a pair of the composer's own works before segueing into transcriptions, homages and his own Poulenc-inflected "transformations." Hough is incapable of an unengaging performance, as he demonstrates right off with an account of the Fantasia in C minor, K. 475 that pulls back from stormy drama for something more tactfully measured and delicate. An unfinished Liszt fantasia on "The Marriage of Figaro" music, amended by Busoni, gets a wittily theatrical treatment' (San Francisco Gate, USA)

'A new reocrd from Stephen Hough is always something to look foward to, and A Mozart Album is no exception … Altogether an outsanding disc released by Hyperion' (Liverpool Daily Post)

'[Hough] is certainly one of today's most thoughtful and thought-provoking pianists, as his latest thematic Hyperion set underscores … playing with a mix of depth and detail that only the best pianists achieve … he connects kindred spirits in a witty, lovely way' (Star Ledger, USA)

'Stephen Hough generally does not disappoint in terms of programming... [his]Mozart is exemplary, with the Fantasias approached with a free sense of tempo and a careful attention to the dynamic contrasts and articulations in the score... The pendant piece is the Liszt-Busoni fantasia on themes from Marriage of Figaro, in which Hough displays his considerable technical wizardry and whimsical attention to details' (IonArts.com)


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