Hyperion Records | The Romantic Piano Concerto, Vol. 29

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CDA67276

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Recording details: August 2001
Federation Concert Hall, Hobart, Tasmania, Australia
Produced by David Garrett & Howard Shelley
Engineered by Andrew Dixon
Release date: May 2002
Total duration: 75 minutes 17 seconds
Available for download on iTunes: Yes

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'Very agreeable music of the Romantic era, well constructed and melodious. Highly recommended' (International Record Review)

'Two concertos in richly-textured performances, full of decorative appeal and romantic melody' (The Daily Telegraph)

'Highly recommended' (Fanfare, USA)

'Howard Shelley … in his triple role of pianist, conductor and producer, offers yet another disc of aristocratic brilliance and distinction' (Gramophone)

'Shelley is one of our finest pianists and an excellent musician, and his playing has that crisp clarity which energises and highlights the music … Hardly a dull moment during this highly enjoyable disc' (musicweb.uk.net)

Ignaz Moscheles (1794-1870)

The Romantic Piano Concerto, Vol. 29 – Moscheles 2 & 3

Howard Shelley (piano), Tasmanian Symphony Orchestra, Howard Shelley (conductor)

		Piano Concerto No 2 in E flat major, Op 56
1		Movement 1: Allegro moderato [12:32]
2		Movement 2: Adagio [7:57]
3		Movement 3: Allegretto, tempo di polacca [10:25]
		Piano Concerto No 3 in G minor, Op 58
4		Movement 1: Allegro moderato [15:06]
5		Movement 2: Adagio [5:11]
6		Movement 3: Allegro agitato [9:09]
		Anticipations of Scotland 'A grand fantasia', Op 75
7		Movement 1: Introduction. Adagio ma non troppo [2:54]
8		Movement 2: Kelvin Grove. Andantine con moto [3:42]
9		Movement 3: Auld Robin Gray. Adagio espressivo [3:51]
10		Movement 4: Lord Moira's Strathspey. Allegro moderato [3:19]
11		Movement 5: Finale. Allegro vivace [1:11]

With this 29th volume in the Romantic Piano Concerto series we commence a cycle of three CDs that we hope will include all eight of Moscheles' piano concertos. It also marks the start of our exploration of concertos from the earlier part of the 19th century, which we have so far rather neglected.

Moscheles, though born in Prague, was a truly cosmopolitan figure. He studied in Vienna and then, after a short stay in Paris, settled in London for over 20 years before returning in 1846 to Leipzig where he spent the rest of his life. His musical roots were in the Viennese classics of Mozart and Beethoven and he was one of many pianist composers (other examples being Hummel and Kalkbrenner) who bridged the gap between the classical and the Romantic period but who were forgotten when the next wave of revolutionaries (Chopin, Liszt, Schumann) arrived. His concertos were written in the 1820's and 30's (the last in 1838) and therefore more than half were actually written in England. The first five (including the two here recorded) follow the traditional three movement pattern whereas the last three are shorter more thematically connected works, the third is undoubtedly his most famous and it remained in the repertoire throughout the 19th century. Anticipations of Scotland is a pot-pourri of Scottish folk tunes that Moscheles wrote for performance in concerts he gave in Edinburgh in 1827.

We are delighted that Hyperion artist of old Howard Shelley has returned to us for this cycle of concertos. The wonderful understanding he has shown of Mozart and Hummel make him the ideal interpreter of this music in which he directs the Tasmanian Symphony Orchestra, of which he is a regular guest conductor, from the keyboard.