Compact Disc CDH55292
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£6.99
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Recorded in the Church of the Hospital of St Cross, Winchester, on 14–16 November 1988
- Recording Engineer
- TONY FAULKNER
- Recording Producer
- MARTIN COMPTON
- Executive Producers
- CECILE KELLY
- EDWARD PERRY
© Hyperion Records Ltd, London, 2007
Originally issued on CDA66336
Duration: 60'13
DDD
Front illustration: The Magi before Herod from a Psalter produced in an Augustine house in northern England, c1170
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Music for the Lion-hearted King
GOTHIC VOICES
MARGARET PHILPOT alto
ROGERS COVEY-CRUMP tenor
JOHN MARK AINSLEY tenor
LEIGH NIXON tenor
CHRISTOPHER PAGE
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Contents:
- Mundus vergens ANONYMOUS [2'02]
MARGARET PHILPOT, ROGERS COVEY-CRUMP, JOHN MARK AINSLEY, LEIGH NIXON
- Novus miles sequitur ANONYMOUS [2'18]
ROGERS COVEY-CRUMP, JOHN MARK AINSLEY, LEIGH NIXON
- A la douçour de la bele seson GACE BRULÉ [4'52]
MARGARET PHILPOT
- Sol sub nube latuit ANONYMOUS [3'31]
ROGERS COVEY-CRUMP, JOHN MARK AINSLEY
- Hac in anni ianua ANONYMOUS [3'58]
MARGARET PHILPOT, ROGERS COVEY-CRUMP, LEIGH NIXON
- Anglia, planctus itera ANONYMOUS [5'38]
MARGARET PHILPOT
- Etas auri reditur ANONYMOUS [3'48]
ROGERS COVEY-CRUMP, JOHN MARK AINSLEY
- Vetus abit littera ANONYMOUS [2'42]
MARGARET PHILPOT, ROGERS COVEY-CRUMP, JOHN MARK AINSLEY, LEIGH NIXON
- In occasu sideris ANONYMOUS [6'08]
ROGERS COVEY-CRUMP, JOHN MARK AINSLEY
- L’amours dont sui espris BLONDEL DE NESLE [4'07]
MARGARET PHILPOT
- Purgator criminum ANONYMOUS [3'53]
LEIGH NIXON then MARGARET PHILPOT, ROGERS COVEY-CRUMP, LEIGH NIXON
- Li nouviauz tanz CHASTELAIN DE COUCI [5'12]
JOHN MARK AINSLEY
- Pange melos lacrimosum ANONYMOUS [4'16]
ROGERS COVEY-CRUMP, LEIGH NIXON
- Ma joie me semont BLONDEL DE NESLE [1'58]
ROGERS COVEY-CRUMP
- Ver pacis apperit ANONYMOUS [1'51]
ROGERS COVEY-CRUMP, JOHN MARK AINSLEY
- Latex silice ANONYMOUS [2'52]
MARGARET PHILPOT, ROGERS COVEY-CRUMP, JOHN MARK AINSLEY, LEIGH NIXON
Sleeve Notes
GRAMOPHONE CRITICS' CHOICE
'This is rather special - the best record I have ever reviewed' (Gramophone) 'The singers cannot be applauded too highly for performances marked by an extraordinary insight into how this music should be tackled' (The Good CD Guide)
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