'The care that has gone into the literary and musicological side of the project is perfectly matched by the musical results. Banse proves to be a wonderfully perceptive interpreter. In every respect this is a wonderful Lieder disc' (The Guardian)
'An unqualified success … a glorious interpreter, warm-voiced and wholly in sympathy with the task in hand. The famous cycle Frauenliebe und Leben receives a peerless reading' (The Daily Telegraph)
'[Juliane Banse] is a born lieder interpreter. A must-buy for lieder lovers' (The Sunday Times)
'Banse's enchanting purity of line and ability to shape this music with the subtlest of tonal and dynamic inflections are a constant source of pleasure. Hyperion's standards of presentation are typically faultless' (Hi-Fi News)
Romanzen und Balladen III, Op 53
|
||
No 2: Loreley
[1:23]
|
||
Lieder und Gesänge I, Op 27
|
||
Drei Gesänge, Op 31
|
||
No 2: Die Kartenlegerin
[3:27]
|
||
Romanzen und Balladen III, Op 53
|
||
No 1: Blondels Lied
[5:17]
|
||
Frauenliebe und -leben, Op 42
|
||
No 1: Seit ich ihn gesehen
[2:44]
|
||
Frauenliebe und -leben
|
||
Lieder und Gesänge III, Op 77
|
||
No 3: Geisternähe
[1:57]
|
||
Romanzen und Balladen IV, Op 64
|
||
No 1: Die Soldatenbraut
[2:09]
|
||
Lieder und Gesänge IV, Op 96
|
||
No 2: Schneeglöckchen
[3:07]
|
||
Lieder und Gesänge III, Op 77
|
||
No 4: Stiller Vorwurf
[1:29]
|
||
Lieder und Gesänge IV, Op 96
|
||
No 4: Gesungen!
[1:08]
|
||
No 5: Himmel und Erde
[1:58]
|
||
Sieben Lieder von Elisabeth Kulmann, Op 104
|
||
No 4: Der Zeisig
[1:16]
|
||
Gedichte der Königin Maria Stuart, Op 135
|
||
No 4: Abschied von der Welt
[3:06]
|
||
No 5: Gebet
[1:40]
|
Other albums in this series |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|