'A young singer on the threshold of a potentially great career ... A born Lieder singer ... her fresh bright tone is a consistent joy' (The Sunday Times)
'Ah, l'heureuse surprise! Mlle Schäfer, par la toute simple éloquence du moindre mot, du moindre son, ignore l'obstacle purement et simple. Eblouissant' (Diapason, France)
'Schäfer evokes comparison with Elisabeth Schumann and with the young Elly Ameling, whom in tone and freshness of response she often resembles. In sum, a delectable, often revelatory recital' (Gramophone)
'Her voice combines ethereal radiance and clarity with resolute, unwavering focus. Johnson's account of the piano parts is superlative [and] his booklet notes are also exemplary - comprehensive, erudite, instructive - and deserve publication in their own right' (BBC Music Magazine)
'Son premier enregistrement de Lieder de Schumann est d'emblée une réussie absolue. Avec le timbre à la fois le plus pur et le plus coloré, une ligne d'une souplesse parfaite et un contrôle idéal du souffle, de la nuance et de la mezza voce elle a d'emblée toutes les qualités d'une grande chanteuse de Lieder. Tout dans ce programme très varié est superlatif. N'oublions pas Graham Johnson dont on se demande s'il faut louer le plus son d'accompagnement constamment musical et passionnant ou ses notes de programmes sur le Lieder' (Répertoire, France)
'It is hard to think of a more eloquent, dedicated partnership than Johnson's with the young German soprano Christine Schäfer here: pure, unaffected singing, in partnership with pianism of rare insight and beauty of tone and phrasing' (Hi-Fi News)
'A delectable debut recital from a born Lieder singer' (Gramophone)
'There is much beauty in these songs and if they need first-class performers to reveal their glories they certainly have them here, with Schäfer's beautifully clear, shining, radiant voice, Johnson's warm and sensitive accompaniment, all wrapped in the wonderfully intimate acoustic that Hyperion always manages for its vocal discs. As with the Schubert series, Johnson's notes are a work of art in themselves, with deeply-thought insights on every page. He is truly a peerless representative of song' (The Singer)
'All now stand and salute! ... In fine sonics and a most complete booklet in English plus the original German poems and translations, Hyperion deserve our thanks' (In Tune, Japan)
`This is one of the finest Lieder recordings I've ever heard ... imaginatively and intelligently conceived, and superlatively achieved' (Fanfare, USA)
No 6: Röselein, Röselein!
[2'16]
|
||
No 9: So lasst mich scheinen
[3'09]
|
||